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Fleetwood Mac

Fleetwood Mac are a British-American rock band formed in 1967 in London. Due to numerous line-up changes, the only original member present in the band is its eponymous drummer, Mick Fleetwood. Although band founder Peter Green named the group by combining the surnames of two of his former bandmates (Fleetwood, McVie) from John Mayall’s Bluesbreakers, bassist John McVie played neither on their first single nor at their first concerts, as he had to straighten things out with Mayall before joining the band permanently. The keyboardist, Christine McVie, who joined the band in 1970 while married to John McVie, appeared on all but two albums, either as a member or as a session musician. She also supplied the artwork for the album Kiln House.

The two most successful periods for the band were during the late 1960s British blues boom, when they were led by guitarist Peter Green and achieved a UK number one with “Albatross”; and from 1975 to 1987, with more pop-orientation, featuring Christine McVie, Lindsey Buckingham and Stevie Nicks. Fleetwood Mac’s second album after the incorporation of Nicks and Buckingham, 1977′s Rumours, produced four U.S. Top 10 singles (including Nicks’ song “Dreams”, which was the band’s only U.S. number one) and remained at No.1 on the American albums chart for 31 weeks, as well as reaching the top spot in various countries around the world. To date the album has sold over 40 million copies worldwide, making it the eighth highest selling album of all time.

The band achieved more modest success in the intervening period between 1971 and 1974, with the line-up including Bob Welch, and also during the 1990s which saw more personnel changes before the return of Nicks and Buckingham in 1997, and more recently, the departure of Christine McVie. In 1998, Fleetwood Mac were inducted into the Rock and Roll Hall of Fame.

Formation and early years (1967–70)

Fleetwood Mac was formed in 1967 in London when Peter Green left the British blues band John Mayall & the Bluesbreakers. Green had replaced guitarist Eric Clapton in the Bluesbreakers, and received critical acclaim for his work on their album A Hard Road. After he had been in the Bluesbreakers for some time, Green asked if drummer Mick Fleetwood could replace Aynsley Dunbar. Green had been in two bands with Fleetwood—”Peter B’s Looners” and the subsequent “Shotgun Express” (which featured a young Rod Stewart as vocalist). John Mayall agreed and Fleetwood became a member of the band.

The Bluesbreakers now consisted of Green, Fleetwood, John McVie and Mayall. Mayall gave Green free recording time as a gift, in which Fleetwood, McVie and Green recorded five songs. The fifth song was an instrumental which Green named after the rhythm section, “Fleetwood Mac”.

Green contacted Fleetwood to form a new band. The pair wanted McVie on bass guitar and even named the band ‘Fleetwood Mac’ as a way to entice him. However McVie opted to keep his steady income with Mayall rather than take a risk with a new band. In the meantime Peter Green and Mick Fleetwood teamed up with talented slide player Jeremy Spencer and bassist Bob Brunning, who was in the band on the understanding that he would leave if and when McVie agreed to join. The Green, Fleetwood, Spencer, Brunning version of the band made its debut on 13 August 1967 at the Windsor Jazz and Blues Festival. Within weeks of this show, John McVie agreed to become the bassist for the band.

Fleetwood Mac’s first album, Fleetwood Mac, was a no-frills blues album and was released on the Blue Horizon label in February 1968. In fact there were no other players on the album (except for the song “Long Grey Mare”, which was recorded when Bob Brunning was in the band). The album was successful in the UK, hitting no.4, though it did not have any singles on it. The band soon released two singles “Black Magic Woman” (later a big hit for Santana) and “Need Your Love So Bad”.

The band’s second album, Mr. Wonderful, was released in August 1968. Like the first it was an all-blues album, but this time they made a few changes. The album was recorded live in the studio with miked amplifiers and PA system, rather than plugged into the board. This method provided the ideal environment for producing this style of music, and gave it an authentically vintage sound. They also added horns and featured a friend of the band on keyboards, Christine Perfect of Chicken Shack.

Shortly after the release of their second album Fleetwood Mac added guitarist Danny Kirwan, then just eighteen years old, to their line-up, recruited from the South London blues band Boilerhouse. Green had been frustrated that Jeremy Spencer had little desire to contribute to Green’s songs. A mature and accomplished self-taught guitarist, Kirwan’s signature vibrato and unique style added a new dimension to an already complete band. With Kirwan the band released their first number one single in Europe, “Albatross”. Around this time they released their second American album, English Rose, which contained half of Mr. Wonderful, new songs from Kirwan, and their third European album called The Pious Bird of Good Omen, which was a collection of singles, B-sides, and a selection of some work the band did with Eddie Boyd.

When the band went to the United States in January 1969 they recorded many songs at the soon-to-close Chess Records Studio, with some blues legends of Chicago including Willie Dixon, Buddy Guy and Otis Spann. These would prove, however, to be Fleetwood Mac’s last all-blues recordings. Along with their change of style the band was also going through some label changes. Up until this point they had been on Blue Horizon. With Kirwan in the band, however, the musical possibilities were too great for them to stay on a blues-only label. The band signed with the Immediate Records label and released “Man of the World”, another British and European hit single. For the B-side Spencer fronted Fleetwood Mac as “Earl Vince and the Valiants” and recorded “Somebody’s Gonna Get Their Head Kicked In Tonite”, typifying the more raucous rock ‘n’ roll side of the band. Immediate Records was in bad shape and the band shopped around for a new deal. Even though The Beatles wanted the band on Apple Records (Mick Fleetwood and George Harrison were brothers-in-law), the band’s manager Clifford Davis decided to go with Warner Bros. Records (through Reprise Records, a Frank Sinatra-founded label), the label they have stayed with ever since. Their first album for Reprise, released in September 1969, was the well-regarded Then Play On. Although the initial pressing of the American release of this album was the same at the British version, it was altered to contain the song “Oh Well”, featured consistently in live performances from the time of its release through 1997 and then again starting in 2009. Then Play On, which was the band’s first rock album, featured only the songs of Kirwan and Green. Jeremy Spencer, meanwhile, recorded a solo album (he was backed by the rest of the band) which consisted of many 1950s-style rock and roll songs.

In July 1969, Fleetwood Mac opened for Ten Years After at the Schaefer Music Festival at New York City’s Wollman Rink. They re-appeared at the festival in 1970.

Fleetwood Mac were an extremely popular band in Europe at the time. However, Peter Green, the frontman of the band, was not in good health. He had taken LSD in Munich, which may have contributed to the onset of his schizophrenia.

German author and filmmaker Rainer Langhans mentions in his autobiography that he and Uschi Obermaier met Peter Green in Munich, where they invited him to their “High-Fish-Commune”. They were not really interested in Peter Green. They just wanted to get in contact with Mick Taylor: Langhans and Obermaier wished to organise a “Bavarian Woodstock”. They wanted Jimi Hendrix and The Rolling Stones to be the leading acts of their Bavarian open air festival. They needed the ‘Green God’ just to get in contact with The Rolling Stones via Mick Taylor.

Green’s last hit with Fleetwood Mac was “The Green Manalishi (With the Two-Prong Crown)” (first recorded at the Boston Tea Party in February 1970 and later recorded by Judas Priest). This recording was released as Green’s mental stability deteriorated, and he wanted to give all of the band’s money to charity. Other members of the band did not agree, and subsequently Green decided to leave the band. His last show with Fleetwood Mac was on 20 May 1970. During that show, the band went past their allotted time and the power was shut off, although Mick Fleetwood kept drumming. Some of the Boston Tea Party recordings (February 5/6/7 1970) were eventually released in the 1980s as the Live in Boston album, with a more complete remastered 3-volume compilation released by Snapper Music in the late 90s.

Transitional era (1970–75)

Kirwan and Spencer were left with the task of having to fill up Peter’s space in their shows and on their recordings. In September 1970, Fleetwood Mac released Kiln House. Kirwan’s songs moved the band in the direction of 70s rock. Meanwhile, Spencer’s contributions focused on re-creating the country-tinged “Sun Sound” of the late 1950s. Christine Perfect, who had retired from the music business after one unsuccessful solo album, contributed to Kiln House, singing backup vocals, and drawing the album cover. Since Fleetwood Mac were progressing and developing a new sound, Perfect was asked to join the band. They also released a single at that time; “Dragonfly” b/w “The Purple Dancer” in the U.K. and certain European countries. Despite good notices in the press, the single was not a success and the B-side has been reissued only once, on a Reprise German-only “Best of” album, making it one of their most obscure songs.

Christine Perfect was married to bassist John McVie, and made her first appearance with the band as Christine McVie at Bristol University in May 1969 just as she was leaving Chicken Shack. She had had success with the Etta James classic, “I’d Rather Go Blind”, and was twice voted female artist of the year in England. Christine McVie played her first gig as an official member on 6 August 1970 in New Orleans. CBS Records, which now owned Blue Horizon (except in the US and Canada), released an album of previously unreleased material from the original Fleetwood Mac called The Original Fleetwood Mac. The album was relatively successful, and the band seemed to be gaining popularity again.

While on tour in February 1971, Jeremy Spencer said he was going out to “get a magazine”, but never returned. After several days of frantic searching, the band discovered that Spencer had joined a religious group, the Children of God. Liable for the remaining shows on the tour, they convinced Peter Green to help finish the tour. He brought along his friend, Nigel Watson, who played the congas (twenty-five years later Green and Watson would collaborate again to form the Peter Green Splinter Group). Green, however, would only be back with Fleetwood Mac temporarily, so the band decided to search for a new guitarist.

In the summer of 1971, the band held auditions for a guitarist in their large country home, “Benifold”, which they bought prior to the Kiln House tour. A friend of the band named Judy Wong recommended her high school friend, Bob Welch, who was living in Paris at the time. The band had a few meetings with Welch and decided to hire him, without actually playing with him or listening to any of his recordings.

In September 1971, the band released Future Games. This album was radically different from anything the band had done up to that point. There were many new fans in America who were becoming more and more interested in the band. In Europe, CBS released Fleetwood Mac’s first Greatest Hits package, which was predominantly composed of songs by Peter Green, though there was one song by Spencer and one by Kirwan.

In 1972, six months after the release of Future Games, the band released the well-received album Bare Trees. Bare Trees featured Welch’s “Sentimental Lady”, which would be a much bigger hit for him five years later when he re-recorded it for his solo album French Kiss, backed with Mick Fleetwood, Christine McVie, and Lindsey Buckingham. It also featured “Spare Me a Little of Your Love”, a bright Christine McVie tune that would become a staple of the band’s live act throughout the early-to-mid 1970s.

While the band were doing well in the studio, their tours were more problematic. Danny Kirwan developed an alcohol dependency and became alienated from Welch and the McVies. It wasn’t until he smashed his Les Paul Custom guitar, refused to go on stage one night, and criticised the band afterwards that Fleetwood finally decided that he had no choice but to fire Kirwan.

The next two and a half years proved to be the most challenging for the band. In the three albums they would release in this period, they would constantly change line-ups. In September 1972, the band added guitarist Bob Weston and vocalist Dave Walker, formerly of Savoy Brown. Bob Weston was well known for playing slide guitar and had known the band from his touring period with Long John Baldry. Fleetwood Mac also hired Savoy Brown’s road manager, John Courage. Mick, John, Christine, Welch, Weston, and Walker recorded Penguin, which was released in January 1973. After the tour, the band fired Walker because his vocal style and attitude did not fit in with the rest of the band.

The remaining five carried on and recorded Mystery to Me six months later. This album contained the song “Hypnotized” which got a lot of airplay on the radio and became one of the band’s most recognisable songs to date. The band were justifiably proud of the new album and were poised to make it a hit. However, things were not well within the band. The McVies’ marriage at this time was under a lot of stress, which was aggravated by their constant working with each other, and John McVie’s considerable alcohol abuse. During the tour, Weston had an affair with Fleetwood’s wife, Jenny Boyd Fleetwood, the sister of Pattie Boyd Harrison. Fleetwood soon fired Weston and the tour was cancelled. Due to lack of touring, the album sold less than its predecessor.

In what would be one of the most bizarre events in rock history, the band’s manager, Clifford Davis, claimed that he owned the name Fleetwood Mac and put out a “fake Mac”. Nobody in the “fake Mac” was ever officially in the real band, although some of them later acted as Danny Kirwan’s studio band. Fans were told that Bob Welch and John McVie had quit the group, and that Mick Fleetwood and Christine McVie would be joining the band at a later date, after getting some rest. Fleetwood Mac’s road manager, John Courage, worked one show before he realised that the line being used was a lie. Courage ended up hiding the real Fleetwood Mac’s equipment, which helped shorten the tour by the fake band. But the lawsuit that followed put the real Fleetwood Mac out of commission for almost a year. The issue was who actually owned the name “Fleetwood Mac”. While it would seem obvious that the band was named after Fleetwood and McVie, they had signed contracts that showed the band forfeited the rights to the name.

During this period, Welch stayed in Los Angeles and connected with entertainment attorneys. Welch quickly realised that the band was being neglected by Warner Bros., and that if they wanted to change that, they would have to change their base of operation to Los Angeles. The rest of the band agreed immediately. Rock promoter Bill Graham wrote a letter to Warner Bros. to convince them that the “real” Fleetwood Mac were in fact Fleetwood, Welch and the McVies. While this did not end the legal battle, the band was able to record as Fleetwood Mac again. Instead of getting another manager, Fleetwood Mac decided to manage themselves.

The fake Mac consisted of Elmer Gantry (vocals, guitar), Kirby Gregory (guitar), Paul Martinez (bass), John Wilkinson (keyboards) and Craig Collinge (drums). Gantry and Gregory went on to become members of Stretch, Gantry would later join The Alan Parsons Project and Martinez would eventually become a bassist for Robert Plant’s solo efforts.

After Warner Bros. made a record deal with the real Fleetwood Mac, the quartet released Heroes Are Hard to Find in September 1974. For the first time in its history, the band had only one guitarist. On the road, they added a second keyboardist. The first was Bobby Hunt, who had been in the band Head West with Bob Welch back in 1970, and the second was Doug Graves, who had been an engineer on Heroes Are Hard to Find. Neither proved to be a long-term addition to the line-up, although Graves was preparing to be a full member of the band following the US tour in late 1974. At the time he said:

I’m looking forward to adding something to this already great band; I helped engineer their album ‘Heroes Are Hard to Find’ and got to know each member well. It came to me as a shock when Mick asked me to join but I am enjoying playing live with the band, and hopefully will start a new studio album with the band soon.

However, Graves did not ultimately join full-time and Welch left soon after the tour ended, having tired of the touring and legal struggles. Nevertheless, the tour enabled the Heroes album to reach a higher position on the American charts than any of the band’s previous records.

Mainstream success (1975–87)

After Welch announced that he was leaving the band, Fleetwood began searching for a possible replacement. While Fleetwood was scouting Van Nuys, California, the house engineer for California’s Sound City Studios, Keith Olsen, played him a track titled “Frozen Love” (from Buckingham Nicks, Polydor PD 5058, September 1973), which he had mixed there for an American band, Buckingham Nicks. Fleetwood liked it, and was introduced to the guitarist from the band, Lindsey Buckingham, who coincidentally was at Sound City that day recording some demos. Fleetwood soon asked him to join. Buckingham agreed, on the condition that his musical partner and girlfriend, Stephanie “Stevie” Nicks, also become part of the band; Fleetwood agreed. Buckingham and Nicks joined the band on New Year’s Eve 1974.

In 1975, the new line-up released the eponymous Fleetwood Mac. The album proved to be a breakthrough for the band and became a huge hit, reaching No.1 in the US and selling over 5 million copies. Among the hit singles from this album were Christine McVie’s “Over My Head” and “Say You Love Me”, and Stevie Nicks’ “Rhiannon” and “Landslide” (actually a hit twenty years later on The Dance album).

But in 1976, with the success of the band also came the end of John and Christine McVie’s marriage, as well as Buckingham and Nicks’ long term romantic relationship. Even Fleetwood was in the midst of divorce proceedings from his wife, Jenny. The pressure put on Fleetwood Mac to release a successful follow-up album, combined with their new-found wealth, led to creative and personal tensions, fuelled by high consumption of drugs and alcohol.

The album the band members released in 1977 was Rumours, in which they laid bare the emotional turmoil experienced at that time. Critically acclaimed, it was the recipient of the Grammy Award for Album of the Year for 1977. Hit singles included Buckingham’s “Go Your Own Way”, Nicks’s U.S. No.1 “Dreams” , and Christine McVie’s “Don’t Stop” and “You Make Loving Fun”. Buckingham’s “Second Hand News”, Nicks’ “Gold Dust Woman” and “The Chain” (the only song written by all five bandmates) also received significant radio airplay. By 2003, Rumours had sold over 19 million copies in the U.S. alone (certified as a diamond album by the RIAA), and a total of 40 million copies worldwide, maintaining its status as one of the biggest-selling albums of all time.

Buckingham was able to convince Fleetwood to allow his work on their next album to be more experimental and to work on tracks at home, then bring them to the band in the studio. His expanded creative role for the next album was influenced by an appreciation for New Wave music.

The result of this was the quirky 20-track double album, Tusk, released in 1979. It spawned three hit singles; Lindsey Buckingham’s “Tusk” (U.S. #8), which featured the USC Trojan Marching Band; Christine McVie’s “Think About Me” (U.S. #20); and Stevie Nicks’ 6½ minute opus “Sara” (U.S. #7). The last of those three was cut to 4½ minutes for both the hit single and the first CD-release of the album, but the unedited version has since been restored on the 1988 Greatest Hits compilation and the 2004 reissue of Tusk as well as Fleetwood Mac’s 2002 release of The Very Best of Fleetwood Mac. Original guitarist Green also took part in the sessions of Tusk, but his playing for the Christine McVie track “Brown Eyes” is not credited on the album.

Tusk remains one of Fleetwood Mac’s most ambitious albums to date, although selling only four million copies worldwide. This, in comparison to the huge sales of Rumours, inclined the label to deem the project a failure, laying the blame squarely on Buckingham. Fleetwood, however, blames the album’s relative failure on the RKO radio chain playing the album in its entirety prior to release, thus allowing mass home taping. In addition, Tusk was a double album, with a high list price of $15.98.

The band embarked on a huge 18-month tour to support and promote Tusk. They travelled extensively across the world, including the USA, Australia, New Zealand, Japan, France, Belgium, Germany, the Netherlands, and the United Kingdom. In Germany they shared the bill with reggae superstar Bob Marley. It was on this world tour that the band recorded music for the Fleetwood Mac Live album, which was released at the end of 1980.

The next album, 1982′s Mirage, following 1981 solo turns by Nicks (Bella Donna) and Buckingham (Law and Order), was a return to the more conventional. Buckingham had been chided by critics, fellow bandmembers and music business managers for the lesser commercial success enjoyed by Tusk. Recorded at a château in France, Mirage was an attempt to recapture the huge success of Rumours. Its hits included Christine McVie’s “Hold Me” and “Love In Store” (each song being co-written by Robbie Patton and Jim Recor, respectively), Stevie Nicks’s “Gypsy”, and Lindsey Buckingham’s “Oh Diane”, which made the Top 10 in the UK. A minor hit was also scored by Buckingham’s “Eyes Of The World” and “Can’t Go Back”.

In contrast to the Tusk Tour, the band only embarked on a short tour of 18 American cities, the Los Angeles show being recorded and released on video. They also headlined the first US Festival, for which the band was paid $500,000 ($1,204,138 today). Mirage was certified double platinum in the U.S.

Following Mirage, the band went on hiatus, which allowed members to pursue solo careers. Stevie Nicks released two more solo albums (1983′s The Wild Heart and 1985′s Rock a Little), Lindsey Buckingham issued Go Insane in 1984, the same year that Christine McVie made an eponymous album (yielding the Top 10 hit “Got A Hold On Me” and the Top 40 hit “Love Will Show Us How”). All three met with success and it was Nicks who became the most popular. However, also during this period, Mick Fleetwood had filed for bankruptcy, Nicks was admitted to the Betty Ford Clinic for addiction problems, and John McVie had suffered an addiction-related seizure—all attributed to the lifestyle of excess afforded to them by their worldwide success. It was rumoured that Fleetwood Mac had finally broken up; however, Buckingham commented that he was unhappy to allow Mirage to remain as the band’s last effort.

The Rumours line-up of Fleetwood Mac recorded one more album for the time being, Tango in the Night, in 1987. Initially, as with various other Fleetwood Mac albums, the material started off as a Buckingham solo album before becoming a group project. The album went on to become their best-selling release since Rumours, especially in the UK where it hit no. 1 three times over the following year. The album sold three million copies in the USA and contained four hits: Christine McVie’s “Little Lies” and “Everywhere” (the former being co-written with McVie’s new husband Eddy Quintela), Sandy Stewart and Stevie Nicks’ “Seven Wonders”, and Lindsey Buckingham’s “Big Love”. “Family Man” and “Isn’t It Midnight” were also released as singles, with lesser success.

Broken chain (1987–97)

Following Buckingham’s departure, Fleetwood Mac added two new guitarists to the band, Billy Burnette and Rick Vito. Burnette was mainly added for his singing and songwriting skills and Vito for his lead guitar abilities.

Burnette is the son of Dorsey Burnette and nephew of Johnny Burnette, both of The Rock and Roll Trio. He had already worked with Mick Fleetwood in Zoo, with Christine McVie as part of her solo band, did some session work with Stevie Nicks and even backed Lindsey Buckingham on Saturday Night Live. Furthermore, Fleetwood and Christine McVie played on his Try Me album in 1985. Vito, a Peter Green admirer, played with many artists from Bonnie Raitt to John Mayall, and even worked with John McVie on two Mayall albums.

The 1987–88 “Shake the Cage” tour was the first outing for this line-up, and was successful enough to warrant the release of a concert video (simply titled “Tango in the Night”), filmed at San Francisco’s Cow Palace arena in December 1987.

Capitalising on the success of Tango in the Night, the band continued with a Greatest Hits album in 1988. It featured singles from the 1975–88 era, and included two new compositions: “No Questions Asked” written by Nicks, and “As Long as You Follow” written by McVie and Quintela, which was released as a single in 1988 but only made No.43 in the US and No.66 in the UK. It did, however, reach No.1 on the US Adult Contemporary charts. The Greatest Hits album, which peaked at No.3 in the UK and No.14 in the US (though has since sold over 8 million copies there), was dedicated to Buckingham by the band, with whom they had now reconciled.

Following the Greatest Hits collection, Fleetwood Mac recorded Behind the Mask. With this album, the band veered away from the stylised sound that Buckingham had evolved during his tenure in the band (also evident in his solo works), and ended up with a more adult contemporary style from producer Greg Ladanyi. However, the album yielded only one Top 40 hit, McVie’s “Save Me”. Behind the Mask only achieved Gold album status in the US, peaking at No.18 on the Billboard album chart, though it entered the UK Albums Chart at #1. It received mixed reviews, and was seen by some music critics as a low point for the band in the absence of Lindsey Buckingham (who had actually made a guest appearance by playing on the title track). However, Rolling Stone magazine said that Vito and Burnette were “the best thing to ever happen to Fleetwood Mac” and the British Q magazine also praised the album in their review. The subsequent “Behind the Mask” tour saw the band play sold out shows at London’s Wembley Stadium, and on the final show in Los Angeles, the band were joined onstage by Buckingham. The two women of the band, McVie and Nicks, had decided that the tour would be their last (McVie’s father died during the tour) though both stated that they would still record with the band. However, in 1991, both Nicks and Rick Vito announced they were leaving Fleetwood Mac altogether.

In 1992, Fleetwood himself arranged a 4-disc box set spanning highlights from the band’s 25 year history, titled 25 Years – The Chain (an edited 2-disc set was also available). A notable inclusion in the box set was “Silver Springs”, a Stevie Nicks composition that was recorded during the Rumours sessions but was omitted from the album and used as the B-side of “Go Your Own Way” instead. Nicks had requested use of the track for her 1991 best-of compilation TimeSpace, but Fleetwood had refused her request as he had planned to include it in this collection as something of a rarity. The disagreement between Nicks and Fleetwood garnered press coverage, and is believed to be the main catalyst for Nicks leaving the band in 1991. The box set, however, also included a brand new Stevie Nicks/Rick Vito composition, “Paper Doll”, which was released in the US as a single. As both members had left the band by this point, the track was presumably a leftover from the Behind the Mask sessions. There were also two new Christine McVie compositions, “Heart of Stone” and “Love Shines”, the latter of which was released as a single in the UK and certain other territories. Lindsey Buckingham also contributed a new song, “Make Me a Mask”, which bore all the markings of an insular Buckingham studio creation, devoid of input from other band members. Mick Fleetwood also released a deluxe hardcover companion book to coincide with the release of the box set, titled My 25 Years in Fleetwood Mac. The volume featured many rare photographs and notes (written by Fleetwood himself) detailing the band’s 25 year history.

Some months after this, the Buckingham/Nicks/McVie/McVie/Fleetwood line-up reunited at the request of U.S. President Bill Clinton for his first Inaugural Ball in 1993. Clinton had made Fleetwood Mac’s “Don’t Stop” his campaign theme song. His subsequent request to perform it at the Inauguration Ball was met with enthusiasm by the band, however this line-up had no intention to reunite again.

Inspired by the new interest in the band, Mick Fleetwood, John McVie, and Christine McVie recorded another album as Fleetwood Mac, with Billy Burnette taking on lead guitar duties. However, just as they made the decision to continue, Billy Burnette announced in March 1993, that he was leaving the band to pursue a country album and an acting career. Bekka Bramlett, who had worked a year earlier with Mick Fleetwood’s Zoo, was recruited. Solo singer/songwriter/guitarist and Traffic’s Dave Mason, who had worked with Bekka’s parents Delaney & Bonnie twenty five years earlier, was subsequently added. By March 1994, Billy Burnette, himself a good friend and co-songwriter with Delaney Bramlett, returned with Fleetwood’s blessing.

The band, minus Christine McVie, toured in 1994, opening for Crosby, Stills, & Nash, and in 1995 as part of a package with REO Speedwagon and Pat Benatar. The tour saw the band perform classic Fleetwood Mac songs from the initial 1967–1974 era. In 1995, at a concert in Tokyo, the band was greeted by former member Jeremy Spencer, who performed a few songs with them.

On 10 October 1995, Fleetwood Mac released the unsuccessful Time album. Although hitting the UK Top 60 for one week the album had zero impact in the US. It failed even to graze the Billboard Top 200 albums chart, a stunning reversal for a band that had been a mainstay on that chart for most of the previous two decades. Shortly after the album’s release, Christine McVie informed the band that the album was her last. Bramlett and Burnette subsequently formed a country music duo, Bekka & Billy.

Discography

Studio Albums

1968 Fleetwood Mac – Coming soon 23/08/2014

Tusk – http://bopping-elf.co.uk/fleetwood-mac/fleetwood-mac-tusk/

Compilations

Black Magic Woman – Best Of – coming soon 11/03/2013

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